+7 (495) 690-7130
Москва, 3-я ул. Ямского Поля, 9
Art Residence, A-115
+7 (495) 690-7130
3-Ya Yamskogo Polya Ulitsa, 9,
Moscow, 125040
On June 7, 2023, the JART Gallery will present an innovative exhibition program — "SCRIPTORIUM OF VISUAL IMPRESSIONS", created in collaboration with Sergey Khachaturov.
The program will include a series of five exhibition projects and a multi-genre parallel program at various venues in Moscow, united by the themes of wandering, lost in the folds of time and history. The synthesis of fine and theatrical art in the project will reveal to you the versatility of the issues raised. The curator and the gallery have been successfully practicing an interdisciplinary approach to creating exhibitions for several years: not only artists, but also actors, theaters and institutional venues are invited to participate in the project.
The program will include a series of five exhibition projects and a multi-genre parallel program at various venues in Moscow, united by the themes of wandering, lost in the folds of time and history. The synthesis of fine and theatrical art in the project will reveal to you the versatility of the issues raised. The curator and the gallery have been successfully practicing an interdisciplinary approach to creating exhibitions for several years: not only artists, but also actors, theaters and institutional venues are invited to participate in the project.
On June 7, 2023, the JART Gallery will present an innovative exhibition program — "SCRIPTORIUM OF VISUAL IMPRESSIONS", created in collaboration with Sergey Khachaturov.
The program will include a series of five exhibition projects and a multi-genre parallel program at various venues in Moscow, united by the themes of wandering, lost in the folds of time and history. The synthesis of fine and theatrical art in the project will reveal to you the versatility of the issues raised. The curator and the gallery have been successfully practicing an interdisciplinary approach to creating exhibitions for several years: not only artists, but also actors, theaters and institutional venues are invited to participate in the project.
The program will include a series of five exhibition projects and a multi-genre parallel program at various venues in Moscow, united by the themes of wandering, lost in the folds of time and history. The synthesis of fine and theatrical art in the project will reveal to you the versatility of the issues raised. The curator and the gallery have been successfully practicing an interdisciplinary approach to creating exhibitions for several years: not only artists, but also actors, theaters and institutional venues are invited to participate in the project.
The first exhibition of the project — "Creases of wandering" is built around the idea of wanderings of artists from different times, eras, genres and countries. The gallery shows the works of the old masters of the Renaissance and a wide range of Russian artists: from the classics to the new names of contemporary art.
The first exhibition of the project — "Creases of wandering" is built around the idea of wanderings of artists from different times, eras, genres and countries. The gallery shows the works of the old masters of the Renaissance and a wide range of Russian artists: from the classics to the new names of contemporary art.
Dmitry Gutov
"A woman teaches a baby to walk"
Metal, welding, 100×100×25 cm
The large-scale object "A Woman Teaches a Baby to Walk" was created from metal by the Russian artist and art theorist Dmitry Gutov, who actively uses the technique of visual quoting in his work.
"A woman teaches a baby to walk"
Metal, welding, 100×100×25 cm
The large-scale object "A Woman Teaches a Baby to Walk" was created from metal by the Russian artist and art theorist Dmitry Gutov, who actively uses the technique of visual quoting in his work.
Dmitry Gutov
"A woman teaches a baby to walk"
Metal, welding, 100×100×25 cm
The large-scale object "A Woman Teaches a Baby to Walk" was created from metal by the Russian artist and art theorist Dmitry Gutov, who actively uses the technique of visual quoting in his work.
"A woman teaches a baby to walk"
Metal, welding, 100×100×25 cm
The large-scale object "A Woman Teaches a Baby to Walk" was created from metal by the Russian artist and art theorist Dmitry Gutov, who actively uses the technique of visual quoting in his work.
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In world culture, the themes subjects of roaming and wandering are correlated with the study of the historical psychology of people who are in the extreme, borderline status of an outcast, a refugee, an adventurer. A pilgrimage, as opposed to travel, is often a challenge of oneself at the limit of capabilities. In such an ordeal, culture and art turn out to be invaluable helpers. To reflect on the matter of pilgrimage, wanderers and their distress in the space of life and art, the spectator will be uniting with artists of different times and countries, from Rembrandt and Dürer to street artists, artists and masters of the intermedia genre. Wanderers often disappear into the folds of the great human History and various little stories connected with them. The folds are both the envelope in which the message addressed to the wanderer or written by him is enclosed, and the secret corners of the world in which the hero hides or is hidden.
“
In world culture, the themes subjects of roaming and wandering are correlated with the study of the historical psychology of people who are in the extreme, borderline status of an outcast, a refugee, an adventurer. A pilgrimage, as opposed to travel, is often a challenge of oneself at the limit of capabilities. In such an ordeal, culture and art turn out to be invaluable helpers. To reflect on the matter of pilgrimage, wanderers and their distress in the space of life and art, the spectator will be uniting with artists of different times and countries, from Rembrandt and Dürer to street artists, artists and masters of the intermedia genre. Wanderers often disappear into the folds of the great human History and various little stories connected with them. The folds are both the envelope in which the message addressed to the wanderer or written by him is enclosed, and the secret corners of the world in which the hero hides or is hidden.
Rembrandt van Rijn
"Ecce homo. Christ in front of the crowd
Etching, Print XX century from original board
Rembrandt's engraving "Christ Before the People" depicts a scene from the Gospel when Jesus was presented before Pontius Pilate and a crowd of people. On the engraving you can see how Jesus is standing in front of the crowd, and Pilate is sitting on the throne, addressing the people. People in the background are depicted in shadows, which creates an effect of depth. The engraving is made in the cutter technique on copper and has many fine lines that create a detailed pattern. It is one of Rembrandt's most famous works and often used in as an example of his mastery of engraving.
Albrecht Dürer
"Little Horse"
Heliogravure on copper
"Little Horse" is a photogravure on copper, created by Albrecht Dürer in 1505. An animalistic portrait of a horse with an allegorical knight sends the viewer back to the Renaissance. The engraving on copper is presented in the heliographic reproduction of the twentieth century.
Rembrandt van Rijn
"The Story of Jacob"
Facsimile, paper, ink
A series of graphic works "The story of Jacob" by Rembrandt, made in ink, includes several masterpieces dedicated to the history of the Bible. In the paintings, Rembrandt used the facsimile technique, but added his own unique style to convey the deep psychological insight and emotional intensity of the characters.
Rembrandt van Rijn
"Ecce homo. Christ in front of the crowd
Etching, Print XX century from original board
Rembrandt's engraving "Christ Before the People" depicts a scene from the Gospel when Jesus was presented before Pontius Pilate and a crowd of people. On the engraving you can see how Jesus is standing in front of the crowd, and Pilate is sitting on the throne, addressing the people. People in the background are depicted in shadows, which creates an effect of depth. The engraving is made in the cutter technique on copper and has many fine lines that create a detailed pattern. It is one of Rembrandt's most famous works and often used in as an example of his mastery of engraving.
Albrecht Dürer
"Little Horse"
Heliogravure on copper
"Little Horse" is a photogravure on copper, created by Albrecht Dürer in 1505. An animalistic portrait of a horse with an allegorical knight sends the viewer back to the Renaissance. The engraving on copper is presented in the heliographic reproduction of the twentieth century.
Rembrandt van Rijn
"The Story of Jacob"
Facsimile, paper, ink
A series of graphic works "The Story of Jacob" by Rembrandt, made in ink, includes several masterpieces dedicated to the history of the Bible. In the paintings, Rembrandt used the facsimile technique, but added his own unique style to convey the deep psychological insight and emotional intensity of the characters.
A catalog-diary has been prepared for the exhibition, which includes the aesthetic experience of a wanderer, in which various transiences and accidents are bent in the folds of the experience of personal time, inscribed in the chronotope of a great story. The notes on the pages of the diary, the walls of the gallery, the public art space of the Art Residence are painted by the street wave artist Lyosha Kudzhey.
A catalog-diary has been prepared for the exhibition, which includes the aesthetic experience of a wanderer, in which various transiences and accidents are bent in the folds of the experience of personal time, inscribed in the chronotope of a great story. The notes on the pages of the diary, the walls of the gallery, the public art space of the Art Residence are painted by the street wave artist Lyosha Kudzhey.
Wanderers on the way (artists)
Rembrandt Harmens van Rijn
Albrecht Dürer
Martin Schongauer
Evgenia Buravleva
Daniel Vasiliev
Dmitry Gutov
Evgenia Dudnikova
Albrecht Dürer
Martin Schongauer
Evgenia Buravleva
Daniel Vasiliev
Dmitry Gutov
Evgenia Dudnikova
Vladislav Dolzhenkov
Maxim Korolkov
Egor Koshelev
Lyosha Kudzhey
Anna Lapshinova
Georgy Litichevsky
Anton Morokov
Maxim Korolkov
Egor Koshelev
Lyosha Kudzhey
Anna Lapshinova
Georgy Litichevsky
Anton Morokov
Ramin Nafikov
Egor Plotnikov
Art group "Russia"
Tatiana Strelbitskaya
Egor Fedorichev
Egor Plotnikov
Art group "Russia"
Tatiana Strelbitskaya
Egor Fedorichev
Wanderers on the way (artists)
Rembrandt Harmens van Rijn, Albrecht Dürer, Martin Schongauer, Evgenia Buravleva, Daniil Vasiliev, Dmitry Gutov, Evgenia Dudnikova, Vladislav Dolzhenkov, Maxim Korolkov, Egor Koshelev, Lyosha Kyudzhey, Anna Lapshinova, Georgy Litichevsky, Anton Morokov, Ramin Nafikov, Yegor Plotnikov, art group "Russia", Tatyana Strelbitskaya, Egor Fedorichev
Evgenia Buravleva
"Villa Rothschild", oil on canvas, 120×150 cm
In oil paintings on canvas, using classical painting techniques, Evgenia builds relationships between space, time and man.
"Villa Rothschild", oil on canvas, 120×150 cm
In oil paintings on canvas, using classical painting techniques, Evgenia builds relationships between space, time and man.
Evgenia Buravleva
"Villa Rothschild", oil on canvas, 120×150 cm
In oil paintings on canvas, using classical painting techniques, Evgenia builds relationships between space, time and man.
"Villa Rothschild", oil on canvas, 120×150 cm
In oil paintings on canvas, using classical painting techniques, Evgenia builds relationships between space, time and man.
The video art of the project was produced by Sergey Khachaturov and graduates of the Rodchenko Moscow School of Photography and Multimedia with the participation of graduates of Moscow theater universities, including new stars Ekaterina Voronina, Alexey Yarmuschik and Vladislav Dolzhenkov. On the screens of the gallery you you will see fragments of the new performance "Ilayali", based on the novel by the Norwegian classic Knut Hamsun "Hunger". Directed by Sergei Tonyshev, acting course by Alexander Koruchekov at Konstantin Raikin's Theater School. The performance received the Grand Prix at the Moscow International Festival of Student Performances "Your Chance".
The video art of the project was produced by Sergey Khachaturov and graduates of the Rodchenko Moscow School of Photography and Multimedia with the participation of graduates of Moscow theater universities, including new stars Ekaterina Voronina, Alexey Yarmuschik and Vladislav Dolzhenkov. On the screens of the gallery you you will see fragments of the new performance "Ilayali", based on the novel by the Norwegian classic Knut Hamsun "Hunger". Directed by Sergei Tonyshev, acting course by Alexander Koruchekov at Konstantin Raikin's Theater School. The performance received the Grand Prix at the Moscow International Festival of Student Performances "Your Chance".
Maxim Korolkov
From the series "The famous sand cloak"
Tempera on canvas, 150 x 110 cm
The painting, saturated with shades of colors, made in tempera on canvas, depicts an elderly woman in VR glasses, lost in the vacuum of loneliness and the illusion of wandering in the new reality of life perception.
Vladislav Dolzhenkov
"Spring"
Oil on canvas, 60×50 cm
Leading artist of the Theater on Malaya Bronnaya, exhibitor Vladislav Dolzhenkov is preparing a separate program in the halls of the gallery: an evening from the works of poets, rebels and wanderers, and will also present abounding in color saturation and drama the plot of the painting, made with acrylic, oil and gouache on canvas.
Art group "Russia"
"Pinocchio"
Oil on canvas, 180 x 130 cm
Artists Ivan Dmitriev and Lyudmila Blok from the art group "Russia", working in the style of "symbolic realism", present a large-scale, colorful art work "Pinocchio", made in oil on canvas.
Maxim Korolkov
From the series "The famous sand cloak"
Tempera on canvas, 150 x 110 cm
The painting, saturated with shades of colors, made in tempera on canvas, depicts an elderly woman in VR glasses, lost in the vacuum of loneliness and the illusion of wandering in the new reality of life perception.
From the series "The famous sand cloak"
Tempera on canvas, 150 x 110 cm
The painting, saturated with shades of colors, made in tempera on canvas, depicts an elderly woman in VR glasses, lost in the vacuum of loneliness and the illusion of wandering in the new reality of life perception.
Vladislav Dolzhenkov
"Spring"
Oil on canvas, 60×50 cm
Leading artist of the Theater on Malaya Bronnaya, exhibitor Vladislav Dolzhenkov is preparing a separate program in the halls of the gallery: an evening from the works of poets, rebels and wanderers, and will also present abounding in color saturation and drama the plot of the painting, made with acrylic, oil and gouache on canvas.
Art group "Russia"
"Pinocchio"
Oil on canvas, 180 x 130 cm
Artists Ivan Dmitriev and Lyudmila Blok from the art group "Russia", working in the style of "symbolic realism", present a large-scale, colorful art work "Pinocchio", made in oil on canvas.
"Pinocchio"
Oil on canvas, 180 x 130 cm
Artists Ivan Dmitriev and Lyudmila Blok from the art group "Russia", working in the style of "symbolic realism", present a large-scale, colorful art work "Pinocchio", made in oil on canvas.
Within the framework of the parallel program 20 — 21 April at the Moscow State University named after M. V. Lomonosov (Faculty of History, Department of Art History, Department of the History of Russian Art) conference "Wanderings and returns".
Within the framework of the parallel program 20 — 21 April at the Moscow State University named after M. V. Lomonosov (Faculty of History, Department of Art History, Department of the History of Russian Art) conference "Wanderings and returns".
Collection
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